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APENECK SWEENEY spreads his knees | |
Letting his arms hang down to laugh, | |
The zebra stripes along his jaw | |
Swelling to maculate giraffe. | |
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The circles of the stormy moon | 5 |
Slide westward toward the River Plate, | |
Death and the Raven drift above | |
And Sweeney guards the hornèd gate. | |
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Gloomy Orion and the Dog | |
Are veiled; and hushed the shrunken seas; | 10 |
The person in the Spanish cape | |
Tries to sit on Sweeney’s knees | |
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Slips and pulls the table cloth | |
Overturns a coffee-cup, | |
Reorganised upon the floor | 15 |
She yawns and draws a stocking up; | |
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The silent man in mocha brown | |
Sprawls at the window-sill and gapes; | |
The waiter brings in oranges | |
Bananas figs and hothouse grapes; | 20 |
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The silent vertebrate in brown | |
Contracts and concentrates, withdraws; | |
Rachel née Rabinovitch | |
Tears at the grapes with murderous paws; | |
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She and the lady in the cape | 25 |
Are suspect, thought to be in league; | |
Therefore the man with heavy eyes | |
Declines the gambit, shows fatigue, | |
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Leaves the room and reappears | |
Outside the window, leaning in, | 30 |
Branches of wistaria | |
Circumscribe a golden grin; | |
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The host with someone indistinct | |
Converses at the door apart, | |
The nightingales are singing near | 35 |
The Convent of the Sacred Heart, | |
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And sang within the bloody wood | |
When Agamemnon cried aloud, | |
And let their liquid siftings fall | |
To stain the stiff dishonoured shroud. | 40 |
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