Bad Translation, Cont.
14 hours ago
Friday, December 19, 2008
Notice to Anonymous "bloggers"
If you post a comment on my blog and you are anonymous with no back track link, and I find your comments offensive, I will delete your comments. It's my space and I do not have to give you a forum for your bullshit. So if you want a place to publish your stupid crap, start your own blog. Even if you have a blog, like the old misogynist fart BBC, when I find your comments offensive I will still delete your comments. Just so we're clear on this. This is my space. You don't have to read me, and I don't owe you a forum for your offensive material.
Thursday, December 18, 2008
Thank You Linda Sama
I dread Christmas for so many reasons. Usually gifts during this season just make me sad, and I'm already sad. But this came in the mail today and though I'm still crying, these are tears of gratitude. I will treasure this and do it the honor of having it framed and putting it in a place where it's the first thing I see upon waking and the last thing I see at night. Thank you Linda Sama, my Ageless Hippie Chick. I feel the love in this moment and had no idea until today how much I needed this.
Wednesday, December 17, 2008
More on Criminal Charges for the Chenney Gangy
From Rachel Maddow tonight. I give you her Carl Levin interview, in case you missed it. I'll begin to believe there might be a god, if only this comes to pass.
Rachel Maddow is My Christmas Present From a Grateful MSNBC
My first real Xmas present was this, then she does it again. She just keeps sending me one after another. Thanks Rachel, I love you too.
Too Damn Big
Judith Blue stands out in the parking lot and watches as two women scream at each other out their car windows. “Jesus! Will you learn to drive that thang!”
“I was here first.”
“So the fuck what! You can’t drive worth shit!”
She turns and looks at the line of women that snakes out the door and down the sidewalk in front of the small specialty stores that share this rather large strip mall with The Beefeater, the restaurant, bar, and disco she manages for Chuck. Women are beginning to push each other in front of Yin Lee’s.
“Oh god, what am I going to do now?” She thinks this aloud and the sound of her own voice startles her. A very pregnant woman gives a mighty shove at the woman in front of her, who goes down, hits the pavement on her knees, and as her hands come down on the concrete she screams, “What the…….” Judith turns toward the restaurant and starts moving as fast as she can, considering her high heels and the slope of the parking lot. She keeps thinking, ‘I didn’t know this many women lived in Springfield. Oh god, what am I going to do?’ When she gets to the doors she slips past a trio of women waiting to get past the two men stationed at the door. One of the guys guarding the door whispers in her ear as she squeezes through, “We need more wait staff.” It’s 5PM of a Tuesday night. The show doesn’t start for two hours and the place is packed already and the only men inside the place work there. Them and the cops guarding the stage in the disco.
A month ago she took this job as a lark. She needed a distraction from the faculty wives parties. When they first arrived she’d amiably gone along with the suggestions that she “participate.” The first abomination was a tea for faculty wives. Full dress regalia, it looked for all the world like the Junior League and the DAR all wrapped into one. Then there was the Gourmet Club. What a fucking joke that was. Someone actually brought a green bean casserole, with canned green beans and Campbell’s mushroom condensed soup. Gawd, it was so funny and so sad all at the same time. After that she knew she had to get a job.
During her interview with Chuck she asked all the questions while Chuck’s girlfriend/accountant gave her the skunk-eye. Both Chuck and his girlfriend came from Paducha where Chuck’s daddy owns the Caddy dealership. Must be a lot of pimps in Paducha. Chuck and his accountant are in their late twenties and have no idea what they hell they’re doing. She must be his first interview. When she’s through asking him questions, she asks one more. “Do you want to ask me any questions?” He stands up and giving her his most charming look, which is an Elvis lip curl, sticks out his hand and says, “Welcome aboard.” She shakes his hand and asks one last question. “What do you plan to pay me to make this into a profitable venture?” His left eyelid flutters a little and he says, “$800. a month” and beams. She says without batting an eye, “Thanks, but no thanks,” and turns toward the door. He says, “Whoa, not so fast, that’s just base salary. If you can turn a profit, I’ll give you 2% and of course, you eat and drink for free.” She pauses for a couple of seconds and says, “I’ll think about it and get back to you.”
“4%?”
“Make it 5%, and don’t hassle me about the changes I want to make. By the way, what’s your advertising budget?” She looks at the accountant who looks at Chuck who says, “Let me know what you need to spend, and we’ll pay the bills.”
“On time?”
He looks at her sideways and says, “Sure. Is that it?”
“No, I need to spend a week or so assessing staffing. Supplies., talent. Any changes I want to make, you’ll okay?”
“You’re the boss.”
“If I find that you have not paid staff, or vendors, or advertisers on time and in full, I’ll quit. Are we clear on all of that?”
“Yes mam.”
Walking to her car she knew she had just made a huge mistake, not asked for enough, got nothing in writing, but what the hell, she could always quit.
When she got home Junior was there, smoking, drinking straight lukewarm vodka in a half full ice tea glass, reading student papers. If you were a lucky student he got to your paper just before that ice tea glass was empty. By then he didn’t even bother to read them. He just gave these last four or five A’s and left it at that.
“I got a job.”
Silence.
“Have you eaten?”
“NO.” He says this rather too loud for her taste, and she wants to say, “Junior, go fuck yourself,” but refrains for once because she really doesn’t give a shit if Junior’s eaten or not. She’s not cooking for him, so, why engage?
She heads for the shower. An hour later, after the shower, drying her hair, and getting dolled up a little, she grabs her handbag and starts toward the living room. Junior says in his whiniest voice, “Aren’t you going to fix dinner?”
“How astute, Junior. Was it the click click of my high heels?”
“Yes.”
“Want to have a conversation, Junior?”
“NO. Are you going out?”
“Yes.”
“Why?”
“I got a job, Junior. I told you, but it didn’t seem to register. I thought maybe you’d nodded off. I’d take you to dinner, but I doubt you could walk, and really, I want to see what the dining experience is like for a woman alone.”
“Why.”
“Junior? Are you in there? "Why," to what? Are you so obtuse in class?
“A restaurant? Really? Will you bring me something back?”
“Probably not, since you’ll be asleep before I get back. Stay sober and I’ll buy you dinner tomorrow night. Good night Junior.”
As she drove to Beefeaters, Judith thought about the possibilities. The place was huge. The restaurant alone seated two hundred. The bar was another hundred and fifty. Fire code said the disco could hold a maximum of five hundred. She did not know the population of Springfield, but thought keeping this place busy was really going to be a challenge. It was Thursday evening, just past 6 PM when she pulled into the parking lot. Stores were still open, but even so, the lot was almost empty. Oh God.
That first week she felt she had located all the major staffing changes she would need to make. She spent most early afternoons meeting with the back of the house—mostly the three cooks, one of whom had Culinary Institute training. They revamped the menu with specials that would not necessitate reprinting menus. Added dessert specials, everything was made in-house, bread, desserts. They worked on a new wine list. Not necessarily more expensive, but better. Printing costs would be small. She got rid of the English serving girl dresses with all the cleavage exposed, and the long skirts that were a tripping hazard, and put everybody in black pants and white shirts.
She spent her evenings in the bar. They had a cowboy quartet that started playing at six. She gave them two weeks notice and put up posters at the University’s music department and an ad in the classifieds of the News-Leader asking for jazz musicians. On a Wednesday afternoon she auditioned three groups. Hired a band called Entropy. Judith thought the band's name was pretentious and not apt, since they played quite swinging or soulful Jazz standards but decided it wasn’t worth arguing about, since very few bar patrons would have the slightest idea what the fuck it meant. She hired a great looking female bartender and kept the one male bartender who didn’t hit on her right off. She asked everyone to put out the word that she’d be looking for another bartender. She had three cocktail waitresses to start with. She’d add them as she needed.
Judith Blue was now on mission to poach talent from restaurants and bars in the surrounding counties, since she’d stolen all the good ones in Springfield. She’d left Horton’s alone because it was her only refuge from the Beefeater, so Larry and his staff were safe for now. Junior was too deep in his cups to really notice her absence.
Now she was concentrating on the disco. It’s days as a disco were numbered. Donna Summers was sort of old hat now, and it was time to transition to another incarnation. And what the fuck would that be? The place had a stage and dance floor and was too big by half. One morning in Fayetteville she stopped for breakfast at a coffee shop near the University of Arkansas Fayetteville campus, and while reading the paper, noticed a small piece on page four about a club in Kansas City that sparked her interest. This little club, the Plug Nickel, had made news by offering the ladies a male strip show. The reason it made any news at all was the huge crowd it drew—all women. Fancy that. She finished her coffee, put out her smoke, left a dollar under her saucer, tucked the paper under her arm and headed for the parking lot. She climbed into her Grand Torino and lit another cigarette before she turned toward Springfield. It’s a beautiful drive once you get past the strip malls that blight the landscape around Fayetteville, Benton, Rodgers, then she’s off the beaten track and on to Cassville, then Monett. Gorgeous farmland, no strip malls here. And she’s thinking all the way home.
She spreads the word among her staff of mostly S.M.S.U. students, that she’s looking for male dancers, real dancers, for an all female audience. Within a week she has fifty eight names on an audition list. And Beefeaters is buzzing. Business is picking up at a steady rate. Sometimes on Friday and Saturday nights there is a waiting list for dinner and the overflow is enjoying the jazz in the bar. Everybody’s making money and bickering and backstabbing is at a minimum. Even Chuck and the accountant are pleased.
So far the disco is a cavern still mostly empty, despite the sound of Donna Summer, Grace Jones, Gloria Gaynor, and Chic blaring from the huge speakers, and the glittery disco ball still twirling in the darkly lit space. She has banned the Bee Gees from the playlist, but there is always a small crowd late at night around the long bar, and a few diehard dancers still making the most of the big dance floor. But the times, they are about to be changing.
For three mornings she held auditions in the empty disco. There were the dancers, the cocktail waiters, and the female DJ’s all in separate lines. Judith stood on the bar platform and told them her plan. DJ’s had always been guys, but that was going to change on Tuesday nights. The women auditioning for DJ headed to the booth. Dancers were limbering up down by the stage. And the first players in this performance were the cocktail waiters. Sixteen guys begging for ten spots. Mostly college athletes and frat boys, thinking this was going to be easy. They had to audition just like the dancers. She was going to turn the night-life gender roles upside down and see what fell out just one night a week for a month. She told everyone exactly what her intentions were and what she expected of them. She would be the choreographer, and majordoma of this whole shebang. An experienced cocktail waitress from the bar gave lessons to the waiters auditioning. They had to be able to carry a heavily loaded tray high above their heads, arm fully extended, weaving their way through closely placed tables, with a certain grace and agility without spilling a drop. Almost every guy failed his first try. The regular DJ was demonstrating in a showoffy way the inner workings of the booth. Music would get going and then stop abruptly. She left the bar tournament to the cocktail waitress and female bartender who would now make Tuesday night a regular part of her schedule. She was filling fake orders and loading those trays for those desperate waiter wannabes. Judith headed for the dancers.
This was going to be the tricky part of the whole deal. So they needed to have a little sit down. “Hi, I’m Judith Blue. Nice of you boys to show up, but this might not be exactly what you understood from the ad and posters. We are going to put on two shows a night, one night a week, for an all female audience. Women only. And you guys will be the entertainment.” There is a slight rise in the energy level of this group of attentive young men. They look at one another and smile. “I want to incorporate several elements to this performance, but I know this is a highly religious community, so to be fair to all of you, I must tell you first off, that there will be a little stripping involved. Anybody object to taking off his clothes while dancing and ending up nearly naked ought to leave now. We’re not doing anything illegal, but…” She shrugs, and sits at a table looking at the handsome, eager faces arrayed before her, spread out in repose on the dance floor, languid and muscled young men. Not a sound. No one moves to leave or even shifts his weight. “Is there a choreographer among you?” Three hands shoot up. She motions them over. They take chairs flanking her. “Will the remaining fifty or so of you break into groups of ten”? She waves her arm in the direction of the DJ booth. “Keep the volume low for awhile. We need to be able to talk in a normal tone, OK?”
There is a low murmur taking place in every part of the room now, then a large crash as one of the loaded trays hits the concrete floor. Dead silence for just a long moment, then the murmur starts again.
She has a powwow with her three choreographers and sketches out what she wants to see tomorrow, same time same place with some rough costuming. Is this possible? Yes, it turns out, it is.
Everywhere she goes she tells the women, in hushed and whispered tones that they might want to come for a special night, just for women, at the disco. At the bank, the grocery store, the doctors office, and throughout her strolls through the halls of academe.
By the following Monday morning they are ready for a dress rehearsal. She has ten well-trained waiters in short, tight, black shorts and white wife-beater t-shirts., that are wearing white tennis shoes (no socks) on their feet. She was tempted to make them wear high heels, just for the object lesson, but decided against it in the end. Her DJ is not only a hot babe, she has great taste and timing. Judith’s strippers are dressed up and ready to go. The only thing missing is the audience, but it all works flawlessly in practice.
Tuesday evening by six the restaurant is full and the bar is overflowing. Women all over the place, and the excitement of anticipation is palpable. Conversation is decidedly more animated this evening. Judith surmises that without the sobering influence of the menfolk, the women are a little more uninhibited. She opens the disco doors and there is a near stampede from the bar. Women are running for the tables up front. Oh my god. Judith has the first of what will be many moments of dismay this evening. She stands inside the huge room and watches it fill in minutes. Her waiters are in full swing fast. She slips into the stock room behind the disco bar and uses the wall-phone to tell the boys bar-tending in the bar to come into the disco and assist the waiters at either end of the bar. This frees the two women bar-tending to mix drinks for the female customers three deep the length of the disco bar. Oh shit, this is not going to work as planned, there are just too many of them. Not one single ad and this is what has happened? There is a half hour to go and she already senses the chaos that might ensue if the bar fills with men waiting for the end of the shows and the emerging women. She checks with the wait staff in the restaurant. All the waiters agree that they will help out in the bar or disco when their tables empty. The waitresses express their displeasure at being left-out. Judith says, “Check your pockets at the end of the night and then tell me how left-out you feel.”
The show is perfection. But it is not the show that concerns Judith, it is the audience. This is like a fucking rock concert. Women are screaming and jumping up and down, throwing their panties. Waiters have come to her saying women are pulling their shorts down when they bend to take an order. These guy are getting groped. What the hell’s going on here? She gets goose bumps on the back of her neck. But gives a quick demonstration on how to squat at a table to take an order so as not to get ones shorts pulled down. This does not however solve the groping behavior. These guys are going to get groped. Nothing she can do about it now.
There are obviously kinks to be worked out, but there is no denying Judith is on to something here. Just what, she is not sure. She decides right then and there to do a fashion show on Wednesday night. She wanders into the bar and sees a milling mob of men. They are waiting almost patiently.
After a month of strip shows with an ever growing mob of women and the men who follow them, she has received television news coverage as far away as Kansas City. Now she gets a visit every Tuesday evening from the fire marshal to make sure they do not exceed capacity. Two burly cops flank the stage. Boys are coming out of the woodwork begging to cocktail for free, claiming all kinds of experience. But the crowd of screaming women of all ages and in all kinds of conditions, like hugely pregnant, or swooning and falling from the arms of their chairs where they stand to get a better view, this she cannot deal with. So, once the first show starts, she heads for Horton’s for a drink and a quiet dinner.
“I was here first.”
“So the fuck what! You can’t drive worth shit!”
She turns and looks at the line of women that snakes out the door and down the sidewalk in front of the small specialty stores that share this rather large strip mall with The Beefeater, the restaurant, bar, and disco she manages for Chuck. Women are beginning to push each other in front of Yin Lee’s.
“Oh god, what am I going to do now?” She thinks this aloud and the sound of her own voice startles her. A very pregnant woman gives a mighty shove at the woman in front of her, who goes down, hits the pavement on her knees, and as her hands come down on the concrete she screams, “What the…….” Judith turns toward the restaurant and starts moving as fast as she can, considering her high heels and the slope of the parking lot. She keeps thinking, ‘I didn’t know this many women lived in Springfield. Oh god, what am I going to do?’ When she gets to the doors she slips past a trio of women waiting to get past the two men stationed at the door. One of the guys guarding the door whispers in her ear as she squeezes through, “We need more wait staff.” It’s 5PM of a Tuesday night. The show doesn’t start for two hours and the place is packed already and the only men inside the place work there. Them and the cops guarding the stage in the disco.
A month ago she took this job as a lark. She needed a distraction from the faculty wives parties. When they first arrived she’d amiably gone along with the suggestions that she “participate.” The first abomination was a tea for faculty wives. Full dress regalia, it looked for all the world like the Junior League and the DAR all wrapped into one. Then there was the Gourmet Club. What a fucking joke that was. Someone actually brought a green bean casserole, with canned green beans and Campbell’s mushroom condensed soup. Gawd, it was so funny and so sad all at the same time. After that she knew she had to get a job.
During her interview with Chuck she asked all the questions while Chuck’s girlfriend/accountant gave her the skunk-eye. Both Chuck and his girlfriend came from Paducha where Chuck’s daddy owns the Caddy dealership. Must be a lot of pimps in Paducha. Chuck and his accountant are in their late twenties and have no idea what they hell they’re doing. She must be his first interview. When she’s through asking him questions, she asks one more. “Do you want to ask me any questions?” He stands up and giving her his most charming look, which is an Elvis lip curl, sticks out his hand and says, “Welcome aboard.” She shakes his hand and asks one last question. “What do you plan to pay me to make this into a profitable venture?” His left eyelid flutters a little and he says, “$800. a month” and beams. She says without batting an eye, “Thanks, but no thanks,” and turns toward the door. He says, “Whoa, not so fast, that’s just base salary. If you can turn a profit, I’ll give you 2% and of course, you eat and drink for free.” She pauses for a couple of seconds and says, “I’ll think about it and get back to you.”
“4%?”
“Make it 5%, and don’t hassle me about the changes I want to make. By the way, what’s your advertising budget?” She looks at the accountant who looks at Chuck who says, “Let me know what you need to spend, and we’ll pay the bills.”
“On time?”
He looks at her sideways and says, “Sure. Is that it?”
“No, I need to spend a week or so assessing staffing. Supplies., talent. Any changes I want to make, you’ll okay?”
“You’re the boss.”
“If I find that you have not paid staff, or vendors, or advertisers on time and in full, I’ll quit. Are we clear on all of that?”
“Yes mam.”
Walking to her car she knew she had just made a huge mistake, not asked for enough, got nothing in writing, but what the hell, she could always quit.
When she got home Junior was there, smoking, drinking straight lukewarm vodka in a half full ice tea glass, reading student papers. If you were a lucky student he got to your paper just before that ice tea glass was empty. By then he didn’t even bother to read them. He just gave these last four or five A’s and left it at that.
“I got a job.”
Silence.
“Have you eaten?”
“NO.” He says this rather too loud for her taste, and she wants to say, “Junior, go fuck yourself,” but refrains for once because she really doesn’t give a shit if Junior’s eaten or not. She’s not cooking for him, so, why engage?
She heads for the shower. An hour later, after the shower, drying her hair, and getting dolled up a little, she grabs her handbag and starts toward the living room. Junior says in his whiniest voice, “Aren’t you going to fix dinner?”
“How astute, Junior. Was it the click click of my high heels?”
“Yes.”
“Want to have a conversation, Junior?”
“NO. Are you going out?”
“Yes.”
“Why?”
“I got a job, Junior. I told you, but it didn’t seem to register. I thought maybe you’d nodded off. I’d take you to dinner, but I doubt you could walk, and really, I want to see what the dining experience is like for a woman alone.”
“Why.”
“Junior? Are you in there? "Why," to what? Are you so obtuse in class?
“A restaurant? Really? Will you bring me something back?”
“Probably not, since you’ll be asleep before I get back. Stay sober and I’ll buy you dinner tomorrow night. Good night Junior.”
As she drove to Beefeaters, Judith thought about the possibilities. The place was huge. The restaurant alone seated two hundred. The bar was another hundred and fifty. Fire code said the disco could hold a maximum of five hundred. She did not know the population of Springfield, but thought keeping this place busy was really going to be a challenge. It was Thursday evening, just past 6 PM when she pulled into the parking lot. Stores were still open, but even so, the lot was almost empty. Oh God.
That first week she felt she had located all the major staffing changes she would need to make. She spent most early afternoons meeting with the back of the house—mostly the three cooks, one of whom had Culinary Institute training. They revamped the menu with specials that would not necessitate reprinting menus. Added dessert specials, everything was made in-house, bread, desserts. They worked on a new wine list. Not necessarily more expensive, but better. Printing costs would be small. She got rid of the English serving girl dresses with all the cleavage exposed, and the long skirts that were a tripping hazard, and put everybody in black pants and white shirts.
She spent her evenings in the bar. They had a cowboy quartet that started playing at six. She gave them two weeks notice and put up posters at the University’s music department and an ad in the classifieds of the News-Leader asking for jazz musicians. On a Wednesday afternoon she auditioned three groups. Hired a band called Entropy. Judith thought the band's name was pretentious and not apt, since they played quite swinging or soulful Jazz standards but decided it wasn’t worth arguing about, since very few bar patrons would have the slightest idea what the fuck it meant. She hired a great looking female bartender and kept the one male bartender who didn’t hit on her right off. She asked everyone to put out the word that she’d be looking for another bartender. She had three cocktail waitresses to start with. She’d add them as she needed.
Judith Blue was now on mission to poach talent from restaurants and bars in the surrounding counties, since she’d stolen all the good ones in Springfield. She’d left Horton’s alone because it was her only refuge from the Beefeater, so Larry and his staff were safe for now. Junior was too deep in his cups to really notice her absence.
Now she was concentrating on the disco. It’s days as a disco were numbered. Donna Summers was sort of old hat now, and it was time to transition to another incarnation. And what the fuck would that be? The place had a stage and dance floor and was too big by half. One morning in Fayetteville she stopped for breakfast at a coffee shop near the University of Arkansas Fayetteville campus, and while reading the paper, noticed a small piece on page four about a club in Kansas City that sparked her interest. This little club, the Plug Nickel, had made news by offering the ladies a male strip show. The reason it made any news at all was the huge crowd it drew—all women. Fancy that. She finished her coffee, put out her smoke, left a dollar under her saucer, tucked the paper under her arm and headed for the parking lot. She climbed into her Grand Torino and lit another cigarette before she turned toward Springfield. It’s a beautiful drive once you get past the strip malls that blight the landscape around Fayetteville, Benton, Rodgers, then she’s off the beaten track and on to Cassville, then Monett. Gorgeous farmland, no strip malls here. And she’s thinking all the way home.
She spreads the word among her staff of mostly S.M.S.U. students, that she’s looking for male dancers, real dancers, for an all female audience. Within a week she has fifty eight names on an audition list. And Beefeaters is buzzing. Business is picking up at a steady rate. Sometimes on Friday and Saturday nights there is a waiting list for dinner and the overflow is enjoying the jazz in the bar. Everybody’s making money and bickering and backstabbing is at a minimum. Even Chuck and the accountant are pleased.
So far the disco is a cavern still mostly empty, despite the sound of Donna Summer, Grace Jones, Gloria Gaynor, and Chic blaring from the huge speakers, and the glittery disco ball still twirling in the darkly lit space. She has banned the Bee Gees from the playlist, but there is always a small crowd late at night around the long bar, and a few diehard dancers still making the most of the big dance floor. But the times, they are about to be changing.
For three mornings she held auditions in the empty disco. There were the dancers, the cocktail waiters, and the female DJ’s all in separate lines. Judith stood on the bar platform and told them her plan. DJ’s had always been guys, but that was going to change on Tuesday nights. The women auditioning for DJ headed to the booth. Dancers were limbering up down by the stage. And the first players in this performance were the cocktail waiters. Sixteen guys begging for ten spots. Mostly college athletes and frat boys, thinking this was going to be easy. They had to audition just like the dancers. She was going to turn the night-life gender roles upside down and see what fell out just one night a week for a month. She told everyone exactly what her intentions were and what she expected of them. She would be the choreographer, and majordoma of this whole shebang. An experienced cocktail waitress from the bar gave lessons to the waiters auditioning. They had to be able to carry a heavily loaded tray high above their heads, arm fully extended, weaving their way through closely placed tables, with a certain grace and agility without spilling a drop. Almost every guy failed his first try. The regular DJ was demonstrating in a showoffy way the inner workings of the booth. Music would get going and then stop abruptly. She left the bar tournament to the cocktail waitress and female bartender who would now make Tuesday night a regular part of her schedule. She was filling fake orders and loading those trays for those desperate waiter wannabes. Judith headed for the dancers.
This was going to be the tricky part of the whole deal. So they needed to have a little sit down. “Hi, I’m Judith Blue. Nice of you boys to show up, but this might not be exactly what you understood from the ad and posters. We are going to put on two shows a night, one night a week, for an all female audience. Women only. And you guys will be the entertainment.” There is a slight rise in the energy level of this group of attentive young men. They look at one another and smile. “I want to incorporate several elements to this performance, but I know this is a highly religious community, so to be fair to all of you, I must tell you first off, that there will be a little stripping involved. Anybody object to taking off his clothes while dancing and ending up nearly naked ought to leave now. We’re not doing anything illegal, but…” She shrugs, and sits at a table looking at the handsome, eager faces arrayed before her, spread out in repose on the dance floor, languid and muscled young men. Not a sound. No one moves to leave or even shifts his weight. “Is there a choreographer among you?” Three hands shoot up. She motions them over. They take chairs flanking her. “Will the remaining fifty or so of you break into groups of ten”? She waves her arm in the direction of the DJ booth. “Keep the volume low for awhile. We need to be able to talk in a normal tone, OK?”
There is a low murmur taking place in every part of the room now, then a large crash as one of the loaded trays hits the concrete floor. Dead silence for just a long moment, then the murmur starts again.
She has a powwow with her three choreographers and sketches out what she wants to see tomorrow, same time same place with some rough costuming. Is this possible? Yes, it turns out, it is.
Everywhere she goes she tells the women, in hushed and whispered tones that they might want to come for a special night, just for women, at the disco. At the bank, the grocery store, the doctors office, and throughout her strolls through the halls of academe.
By the following Monday morning they are ready for a dress rehearsal. She has ten well-trained waiters in short, tight, black shorts and white wife-beater t-shirts., that are wearing white tennis shoes (no socks) on their feet. She was tempted to make them wear high heels, just for the object lesson, but decided against it in the end. Her DJ is not only a hot babe, she has great taste and timing. Judith’s strippers are dressed up and ready to go. The only thing missing is the audience, but it all works flawlessly in practice.
Tuesday evening by six the restaurant is full and the bar is overflowing. Women all over the place, and the excitement of anticipation is palpable. Conversation is decidedly more animated this evening. Judith surmises that without the sobering influence of the menfolk, the women are a little more uninhibited. She opens the disco doors and there is a near stampede from the bar. Women are running for the tables up front. Oh my god. Judith has the first of what will be many moments of dismay this evening. She stands inside the huge room and watches it fill in minutes. Her waiters are in full swing fast. She slips into the stock room behind the disco bar and uses the wall-phone to tell the boys bar-tending in the bar to come into the disco and assist the waiters at either end of the bar. This frees the two women bar-tending to mix drinks for the female customers three deep the length of the disco bar. Oh shit, this is not going to work as planned, there are just too many of them. Not one single ad and this is what has happened? There is a half hour to go and she already senses the chaos that might ensue if the bar fills with men waiting for the end of the shows and the emerging women. She checks with the wait staff in the restaurant. All the waiters agree that they will help out in the bar or disco when their tables empty. The waitresses express their displeasure at being left-out. Judith says, “Check your pockets at the end of the night and then tell me how left-out you feel.”
The show is perfection. But it is not the show that concerns Judith, it is the audience. This is like a fucking rock concert. Women are screaming and jumping up and down, throwing their panties. Waiters have come to her saying women are pulling their shorts down when they bend to take an order. These guy are getting groped. What the hell’s going on here? She gets goose bumps on the back of her neck. But gives a quick demonstration on how to squat at a table to take an order so as not to get ones shorts pulled down. This does not however solve the groping behavior. These guys are going to get groped. Nothing she can do about it now.
There are obviously kinks to be worked out, but there is no denying Judith is on to something here. Just what, she is not sure. She decides right then and there to do a fashion show on Wednesday night. She wanders into the bar and sees a milling mob of men. They are waiting almost patiently.
After a month of strip shows with an ever growing mob of women and the men who follow them, she has received television news coverage as far away as Kansas City. Now she gets a visit every Tuesday evening from the fire marshal to make sure they do not exceed capacity. Two burly cops flank the stage. Boys are coming out of the woodwork begging to cocktail for free, claiming all kinds of experience. But the crowd of screaming women of all ages and in all kinds of conditions, like hugely pregnant, or swooning and falling from the arms of their chairs where they stand to get a better view, this she cannot deal with. So, once the first show starts, she heads for Horton’s for a drink and a quiet dinner.
Tuesday, December 16, 2008
Milk
I was in my mid thirties when Harvey Milk was killed. So this movie, for me is a bit like watching the Titanic. I know how it's going to end. Hope I haven't ruined it for you. Add to that the recent passage of Proposition 8 in California, and similar measures in other states, and I gotta tell you, we haven't come so very far, baby. We have a long way to go. And it is the religious right that is keeping us stuck. And to be depressed anyway, this reminder is really heartbreaking. I started crying the moment the movie started and I never stopped. There were several marvelous performances, and perhaps Josh Borlin's was the most heartbreakingly perfect. I always expect Shawn Penn to wow me, and he never disappoints, but Brolin is an actor like Tommy Lee Jones who never seems to be working that hard at acting, and so he may be overlooked for the big awards. Too bad we always want to give the prizes to actors like Daniel Day Lewis, who in my opinion never takes a part that doesn't require the over-the-top bravura performance. And god help the actor like George Clooney, who not only makes it look easy, but is too handsome to be taken as seriously as he deserves. Milk is a very good movie, but I'm a very depressed movie goer who dragged myself out of bed, took a shower, and went out because it's good for me, not because I really wanted to go out.
I love Nick. I love him more than any man I know. But depression makes me terrible company. I have already placed restrictions on our friendship--I won't go to parties, or out at night. I won't go anywhere there's likely to be a crowd. And now, I won't go out as long as I'm depressed. It's just too painful. Going out makes it all the more apparent that I shouldn't be out.
I can't write. I can't think. My fingers feel as if there are weights attached, and every other word has to be retyped. It's a small agony. And worst of all, it's the season to be jolly and generous--I can't seem to fake it anymore.
So, for now I will be posting stories and poetry. I promise that none of the stories or poetry I post will be as dark as that last story of mine. Promise. Hopefully, with even a bit of humor here and there. And one of my poems has the word penis in the first line, teehee. So don't give up in me.
I'm counting on the inauguration to cheer me up, bring me back to the world of the living and the joyous, or at least the hopeful. And just maybe letting myself off the hook for awhile will bring me back to the blog as a thinking, interested, interesting person again, assuming that I ever was. And who knows, maybe this break will make it possible for me to read again. I'm such a one trick pony.
I love Nick. I love him more than any man I know. But depression makes me terrible company. I have already placed restrictions on our friendship--I won't go to parties, or out at night. I won't go anywhere there's likely to be a crowd. And now, I won't go out as long as I'm depressed. It's just too painful. Going out makes it all the more apparent that I shouldn't be out.
I can't write. I can't think. My fingers feel as if there are weights attached, and every other word has to be retyped. It's a small agony. And worst of all, it's the season to be jolly and generous--I can't seem to fake it anymore.
So, for now I will be posting stories and poetry. I promise that none of the stories or poetry I post will be as dark as that last story of mine. Promise. Hopefully, with even a bit of humor here and there. And one of my poems has the word penis in the first line, teehee. So don't give up in me.
I'm counting on the inauguration to cheer me up, bring me back to the world of the living and the joyous, or at least the hopeful. And just maybe letting myself off the hook for awhile will bring me back to the blog as a thinking, interested, interesting person again, assuming that I ever was. And who knows, maybe this break will make it possible for me to read again. I'm such a one trick pony.
I'm Going to a Tuesday Matinee Movie With Nick, But I left This For your Entertainment
Clues for you:
The movie link is in the title of the post. New feature of blogger, or so I think.
And the entertainment I left you has nothing to do with the movie? Slick, no?
The movie link is in the title of the post. New feature of blogger, or so I think.
And the entertainment I left you has nothing to do with the movie? Slick, no?
Monday, December 15, 2008
For D. K. Read
Invictus
Out of the night that covers me,
Black as the Pit from pole to pole,
I thank whatever gods may be
For my unconquerable soul.
In the fell clutch of circumstance
I have not winced nor cried aloud.
Under the bludgeonings of chance
My head is bloody, but unbowed.
Beyond this place of wrath and tears
Looms but the Horror of the shade,
And yet the menace of the years
Finds, and shall find, me unafraid.
It matters not how strait the gate,
How charged with punishments the scroll.
I am the master of my fate:
I am the captain of my soul.
William Ernest Henley
Out of the night that covers me,
Black as the Pit from pole to pole,
I thank whatever gods may be
For my unconquerable soul.
In the fell clutch of circumstance
I have not winced nor cried aloud.
Under the bludgeonings of chance
My head is bloody, but unbowed.
Beyond this place of wrath and tears
Looms but the Horror of the shade,
And yet the menace of the years
Finds, and shall find, me unafraid.
It matters not how strait the gate,
How charged with punishments the scroll.
I am the master of my fate:
I am the captain of my soul.
William Ernest Henley
Last Poem of the Day
The Road Not Taken
Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;
Then took the other, as just as fair,
And having perhaps the better claim
Because it was grassy and wanted wear,
Though as for that the passing there
Had worn them really about the same,
And both that morning equally lay
In leaves no step had trodden black.
Oh, I marked the first for another day!
Yet knowing how way leads on to way
I doubted if I should ever come back.
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I,
I took the one less traveled by,
And that has made all the difference.
Robert Frost
Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;
Then took the other, as just as fair,
And having perhaps the better claim
Because it was grassy and wanted wear,
Though as for that the passing there
Had worn them really about the same,
And both that morning equally lay
In leaves no step had trodden black.
Oh, I marked the first for another day!
Yet knowing how way leads on to way
I doubted if I should ever come back.
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I,
I took the one less traveled by,
And that has made all the difference.
Robert Frost
Running The Maze
Daddy was an expert at driving the lab animals mad
It was his job, it was his passion. Daddy had talent for it.
Daddy married a woman with a pretty child and no maternal
Instinct drove them to it. Unhinge that child Daddy, see what
She can take. The little whore becomes your slave until she is
Too old. Unhinge that child. What is she but a ticking time bomb.
Call her a liar and she becomes one, threaten the cage again, bind her
Mind with fear like Chinese women’s feet. Women are used to torture
The women her mother hates so much, apron wearing women,
Domesticated dumb cows. The girl will run the hamster wheel of
Repetition, repetition, repetition
Until she’s the only one left alive, alone at last. Talks about it like
Normal life, like normal life
Like normal life.
It was his job, it was his passion. Daddy had talent for it.
Daddy married a woman with a pretty child and no maternal
Instinct drove them to it. Unhinge that child Daddy, see what
She can take. The little whore becomes your slave until she is
Too old. Unhinge that child. What is she but a ticking time bomb.
Call her a liar and she becomes one, threaten the cage again, bind her
Mind with fear like Chinese women’s feet. Women are used to torture
The women her mother hates so much, apron wearing women,
Domesticated dumb cows. The girl will run the hamster wheel of
Repetition, repetition, repetition
Until she’s the only one left alive, alone at last. Talks about it like
Normal life, like normal life
Like normal life.
Sunday, December 14, 2008
Death
Because I could not stop for Death,
He kindly stopped for me;
The carriage held but just ourselves
And Immortality.
We slowly drove, he knew no haste,
And I had put away
My labor, and my leisure too,
For his civility.
We passed the school, where children strove
At recess, in the ring;
We passed the fields of gazing grain,
We passed the setting sun.
Or rather, he passed us;
The dews grew quivering and chill,
For only gossamer my gown,
My tippet only tulle.
We paused before a house that seemed
A swelling of the ground;
The roof was scarcely visible,
The cornice but a mound.
Since then 'tis centuries, and yet each
Feels shorter than the day
I first surmised the horses' heads
Were toward eternity.
Emily Dickenson
He kindly stopped for me;
The carriage held but just ourselves
And Immortality.
We slowly drove, he knew no haste,
And I had put away
My labor, and my leisure too,
For his civility.
We passed the school, where children strove
At recess, in the ring;
We passed the fields of gazing grain,
We passed the setting sun.
Or rather, he passed us;
The dews grew quivering and chill,
For only gossamer my gown,
My tippet only tulle.
We paused before a house that seemed
A swelling of the ground;
The roof was scarcely visible,
The cornice but a mound.
Since then 'tis centuries, and yet each
Feels shorter than the day
I first surmised the horses' heads
Were toward eternity.
Emily Dickenson
Body Warmth , a short story
Willamina was a logging town. Surrounded by forest, dotted by ponds full of logs. It always smelled like wood smoke and pine pitch, and rich wet earth. I still love that smell. That combination of fresh rain, decaying vegetation, the smell of green and burning sawdust. I think we stayed in a motel for the first couple of days, but my memory of it has the fevered, steamy quality of an erotic dream.
Our first house was on the outskirts of town at the top of a long sloping hill. It was a small white box, with a smaller white box behind it. The garage was almost too short for the station wagon. The house had a small living room, a small kitchen, one small bathroom and one small bedroom. It had a back porch which doubled as a laundry room. The washing machine was one of the old fashioned kind that had a roller on it. It was just like Grandmother’s in Texas. The water emptied into a big, double sink. I slept across that room, next to an inside wall for warmth.
School started right away. We moved in, and Daddy and I went off to school. Maggy was left at home to do the unpacking. We didn’t bring furniture, so she had to furnish the house. She did it sparsely, beds first. Mine was a metal-framed single bed with a lumpy mattress. Theirs was a double box springs and mattress, no frame, no headboard. They eventually set it on bricks at the four corners to get it up off the floor. Two beer boxes up-ended were used as tables on either side of the bed. We used the biggest box we packed for a kitchen table. There was built-in storage in the bathroom for towels and stuff, but no chests of drawers, no dressers, no chairs to sit on when we ate dinner. Maggy hated the house and Willamina. She hated the constant rain, the 100% humidity. She hated not working. For two weeks she haunted the second-hand shops looking for the odds and ends of civilized life and found little that pleased her. The house remained sparsely furnished.
One of Daddy’s students gave me her old bicycle. I loved it even more then my bike in Salt Lake. This one was a real grown-up girls bicycle with a basket on the front and a long flat panel on the back to carry a passenger. It had a bell, too. Even with the seat as low as it would go, I could barely reach the peddles when I sat. It became my private measure for how much I was growing.
Maggy became increasingly difficult to be around. If I came straight home after school, she would hound me about cleaning my room, picking up the clothes off the floor of the curtained-off corner that was my closet. She’d say things like, “It’s about time you started to take some responsibility around here. I’m not your slave, do you understand me! You’re going to learn to clean up after yourself and start doing chores, like everybody else. Where’s your homework?”
“I did it at school, in the library. Why are you so mad at me?”
“I’m not just mad at you. I hate this place. Now help me clean up. Start in your room.”
“Why did we come here if you hate it?”
“Because it was the least of three evils.”
“I don’t understand what you mean.”
“I know you don’t. It doesn’t matter. Just stay out of my way and keep your room clean. I want you to clean the tub after you bathe. You could help a little more with the dishes, too. Now do what I ask, and leave me alone.” She turned her back and walked out of the kitchen into the living room where she had her sewing machine set up on a card table. She was making curtains. I stood there, very quiet, and then I went into my room and started with the closet. I picked up the piles of clothes on the floor and laid them on my bed. Then I started playing dress-up. After I tried on an outfit I hung it up or folded it, and put it in the cardboard boxes that were my chest of drawers. If something smelled really bad, I dumped it in my dirty laundry basket. Then I quietly tiptoed out the back door and got on my bicycle. I rolled out the driveway and instead of circling the house around the picket fence that surrounded the front yard, and heading down the paved road to town, I took the dirt road at the back of the house, coasting over the pot-holed, rocky surface, cruising the neighborhood, heading for the woods that bordered the north end of town, only a few blocks from our house.
I found trails among the trees, ferns as tall as a grown-up bordered the trails. I found delicate, orchid like flowers, fallen trees with trunks covered in a rug-like green moss. Within the cover of that forest, even in heavy rain I could remain remarkably dry. The trees were like gently dripping umbrellas. I found a huge variety of mushrooms and toadstools, and saw squirrels and chipmunks, does with faintly spotted fawns. I saw a skunk and he saw me. We stared at each other for a moment, then he turned and walked away, stopping once to look back at me. Then he hurried on. I went home when it started to get dark.
The smell of dinner hit me before I even opened the back door. And I could hear my mother’s voice raised. I paused with my hand on the doorknob. Maggy was raving about mildew. About mildew and money. That seemed safe enough for me to open the door. As I entered the kitchen, glancing quickly at the table to see if it needed setting, I heard her say, “So I got a job. I start work Monday. I’ll work in the front office at the Electric Company. Judy’s going to have to help out here. And I’d appreciate it if you backed me up on that. Could you try to get home a little earlier?” Then she noticed me getting silverware out of the drawer. “Where the hell did you go?”
“I just went for a bike ride.”
“Did you hear what we were talking about?”
“I heard you say you got a job.”
“Well, that’s going to mean more work for you. I’m counting on you to help me out here, okay?”
“Okay.” I went about my business of setting the table. We had chicken with dumplings and salad. It was great, one of my favorite things. A filling, comforting food. And there were leftovers to eat after school tomorrow. And nobody would be home, so I could do what I wanted and wouldn’t get yelled at. I sang as I washed the dishes. “We are poor little lambs who have gone astray, baa, baa, baa. We are little lost sheep who have lost our way, baa, baa, baa. Gentleman songsters off on a spree, doomed from here to eternity. God have mercy on such as we, baa....baa...baa.”
When I took my bath I sang “A tisket a tasket, a red and yellow basket, I wrote a letter to my love and on the way I lost it.” I couldn’t remember any of the other words, so I kept repeating the same line over and over. I scrubbed out the ring in the tub with my washcloth and bar soap. I hung up my towel. I put on my pajamas, carried my dirty clothes into my bedroom and threw them on the closet floor. Maggy was sewing, and Daddy was grading tests. I said goodnight and went to bed. I was delighted that Maggy would be going to work.
When Daddy came in the next night to read with me, he said, “It‘s cold out here. We need to get you a heater. Sit up and let me scoot in there. We can keep each other warm while we read. Did you ever hear of the Donner Party?”
“No. What kind of a party did they have?”
“They were explorers, pioneers, and they got caught in a snowstorm, crossing Donner’s Pass. That’s a high mountain pass. They ran out of food, and they were so cold. Almost as cold as I am right now.” He stuck his bare feet on the side of my calves. They were like ice.
“If I’m going to finish this story, you’re going to have to keep me warm. Come here.” He wrapped me in his arms, and pulled me close to his body. Snuggling me in close, my head nestled in his armpit. “They call it the Donner Party, because it was a group of people who all died in a horrible winter storm. Nobody was prepared for how much snow there was or how cold it got. When the horses died, they ate the horses. That kept them alive for awhile, but now and then someone died in the night, even though they all slept together, like this. Do you know the best way to stay warm?”
“To wear lots and lots of clothes and keep your hat on?”
“That’s best in the day time, but at night, even with clothes on, your body temperature drops. So the best thing to do is share body warmth with someone else. Let me show you what I mean.” I had my back to his stomach, and he scrunched back from me and pulled his sweatshirt up, and pulled his pants down. Then he moved his bare stomach and chest and legs close to me, and it was like backing close to the gas heater in the living room. Then he pulled my nighty up and it was skin to skin. My butt was cold until it snuggled into his lap, which was hotter than the rest of him. It was like the hottest part of the fire. “See what I mean? That’s how the Donner Party stayed alive as long as they did.”
“Did they all die?”
“I’ll finish that story next time, but you need to practice your reading, so read to me kiddo.”
I leaned forward, breaking contact, to reach my reader. Daddy pulled me back, and with his hand he opened my legs, slipping his penis between my legs, resting it snug against my peepee. It was warmer than anything. Then he said, “Now I’m comfortable and warm, how about you?” I nodded my head. “Well, are you going to read to me?”
I turned pages to the slow, rhythmic rocking of Daddy’s naked body behind me, between my legs. His breath was warm and wet on the top of my head. I turned another page and held my breath, listening. He whispered, “Does that feel good? Are you warm enough?” I nodded my head. He used the hand that had slipped his penis between my legs to reach across and touch himself. Then he put his fingers on my peepee and they were slippery. They slid into the lips of my peepee, and he opened them so his penis was rubbing against me closer and slippery. He whispered, “Give me your hand.” I took my hand and put it in his, and he moved them both to the hot slippery place between my legs. He put my palm over the wet round top of his penis, with his hand on top on mine, he pressed our hands around it, and our hands moved together, touching my slick peepee then pulling back to move through the crack of my bum, then forward again, so slow and warm and slippery. The inside of my thighs were slippery, too. He made a soft huffing sound and our hands filled with hot wet slimy stuff. He held my hand there, full of that stuff, while he whispered into the top of my head, “God, oh God, you are the sweetest...oh...ah, God...”Then he used the hem of my nighty to clean up our hands. It was the beginning of a new tradition.
Another tradition was shooting rats at the city dump. The only picture of me holding that gun and aiming it, is when I'm nine. The gun I'm holding in the picture is my mother's Luger pistol, a spoil of war my first father brought back from his adventures in World War II. I am a thin, long legged girl with shoulder length hair. The picture was taken at the city dump in Willamina, Oregon, in the summer. My Daddy and I are out of school and shooting rats at the dump. He leans against our ugly green station wagon, a cigarette dangles from his lips, and when he isn't aiming a camera at me, he's holding a bottle of beer and smoking a cigarette. I'm a good shot by then, but I don't remember when I held this gun for the first time. It has a fierce little kick that I have learned to control. I am standing there facing my Daddy, with the gun held in my right hand, arm extended, head turned to the right, shot by the camera in profile, squinting slightly as I aim. My left arm hangs so nonchalantly at my side. I have very good posture. I'm wearing shorts, a camp shirt, and espadrilles. It was so easy to swing that gun in a quarter arc and shoot my Daddy dead. I remember the thought drift through my brain like the wisp of a dream. And then as if it were just a dream, I do it. I don't even think about it. It just happens. That quarter swing of my arm, and I pull the trigger. My aim is wrong. The top of his head flies off and splatters the windshield of that ugly green station wagon. He doesn't make a sound. He is slumping down, sliding off the bonnet of the station wagon, missing the top of his head. Then there is the sound of the beer bottle hitting the dirt. It's a soft little sound, as the beer bubbles up and spills into the dirt. Now it's so peaceful at the dump.
I'm curious, and walk slowly toward the station wagon with the gun dangling from my right hand. The cigarettes are in the breast pocket of his short sleeved shirt. Blood and bits of other stuff are soaking the shoulders of his shirt and I want to get the cigarettes out of his pocket before they're ruined. I put the gun in his lap, and then I reach into his pocket and grab the pack of cigarettes and his zippo lighter. He's never let me use the lighter. He always lights my cigarette for me. It takes me two tries to get the flame to pop up. It's easy. I wonder why he made such a big deal about the zippo being dangerous. I sit in the dirt, and lean back against the tire in the shade. It's so quiet. I can hear birds chirping and a squirrel scolding off in the distance, the sound of insects.
Our first house was on the outskirts of town at the top of a long sloping hill. It was a small white box, with a smaller white box behind it. The garage was almost too short for the station wagon. The house had a small living room, a small kitchen, one small bathroom and one small bedroom. It had a back porch which doubled as a laundry room. The washing machine was one of the old fashioned kind that had a roller on it. It was just like Grandmother’s in Texas. The water emptied into a big, double sink. I slept across that room, next to an inside wall for warmth.
School started right away. We moved in, and Daddy and I went off to school. Maggy was left at home to do the unpacking. We didn’t bring furniture, so she had to furnish the house. She did it sparsely, beds first. Mine was a metal-framed single bed with a lumpy mattress. Theirs was a double box springs and mattress, no frame, no headboard. They eventually set it on bricks at the four corners to get it up off the floor. Two beer boxes up-ended were used as tables on either side of the bed. We used the biggest box we packed for a kitchen table. There was built-in storage in the bathroom for towels and stuff, but no chests of drawers, no dressers, no chairs to sit on when we ate dinner. Maggy hated the house and Willamina. She hated the constant rain, the 100% humidity. She hated not working. For two weeks she haunted the second-hand shops looking for the odds and ends of civilized life and found little that pleased her. The house remained sparsely furnished.
One of Daddy’s students gave me her old bicycle. I loved it even more then my bike in Salt Lake. This one was a real grown-up girls bicycle with a basket on the front and a long flat panel on the back to carry a passenger. It had a bell, too. Even with the seat as low as it would go, I could barely reach the peddles when I sat. It became my private measure for how much I was growing.
Maggy became increasingly difficult to be around. If I came straight home after school, she would hound me about cleaning my room, picking up the clothes off the floor of the curtained-off corner that was my closet. She’d say things like, “It’s about time you started to take some responsibility around here. I’m not your slave, do you understand me! You’re going to learn to clean up after yourself and start doing chores, like everybody else. Where’s your homework?”
“I did it at school, in the library. Why are you so mad at me?”
“I’m not just mad at you. I hate this place. Now help me clean up. Start in your room.”
“Why did we come here if you hate it?”
“Because it was the least of three evils.”
“I don’t understand what you mean.”
“I know you don’t. It doesn’t matter. Just stay out of my way and keep your room clean. I want you to clean the tub after you bathe. You could help a little more with the dishes, too. Now do what I ask, and leave me alone.” She turned her back and walked out of the kitchen into the living room where she had her sewing machine set up on a card table. She was making curtains. I stood there, very quiet, and then I went into my room and started with the closet. I picked up the piles of clothes on the floor and laid them on my bed. Then I started playing dress-up. After I tried on an outfit I hung it up or folded it, and put it in the cardboard boxes that were my chest of drawers. If something smelled really bad, I dumped it in my dirty laundry basket. Then I quietly tiptoed out the back door and got on my bicycle. I rolled out the driveway and instead of circling the house around the picket fence that surrounded the front yard, and heading down the paved road to town, I took the dirt road at the back of the house, coasting over the pot-holed, rocky surface, cruising the neighborhood, heading for the woods that bordered the north end of town, only a few blocks from our house.
I found trails among the trees, ferns as tall as a grown-up bordered the trails. I found delicate, orchid like flowers, fallen trees with trunks covered in a rug-like green moss. Within the cover of that forest, even in heavy rain I could remain remarkably dry. The trees were like gently dripping umbrellas. I found a huge variety of mushrooms and toadstools, and saw squirrels and chipmunks, does with faintly spotted fawns. I saw a skunk and he saw me. We stared at each other for a moment, then he turned and walked away, stopping once to look back at me. Then he hurried on. I went home when it started to get dark.
The smell of dinner hit me before I even opened the back door. And I could hear my mother’s voice raised. I paused with my hand on the doorknob. Maggy was raving about mildew. About mildew and money. That seemed safe enough for me to open the door. As I entered the kitchen, glancing quickly at the table to see if it needed setting, I heard her say, “So I got a job. I start work Monday. I’ll work in the front office at the Electric Company. Judy’s going to have to help out here. And I’d appreciate it if you backed me up on that. Could you try to get home a little earlier?” Then she noticed me getting silverware out of the drawer. “Where the hell did you go?”
“I just went for a bike ride.”
“Did you hear what we were talking about?”
“I heard you say you got a job.”
“Well, that’s going to mean more work for you. I’m counting on you to help me out here, okay?”
“Okay.” I went about my business of setting the table. We had chicken with dumplings and salad. It was great, one of my favorite things. A filling, comforting food. And there were leftovers to eat after school tomorrow. And nobody would be home, so I could do what I wanted and wouldn’t get yelled at. I sang as I washed the dishes. “We are poor little lambs who have gone astray, baa, baa, baa. We are little lost sheep who have lost our way, baa, baa, baa. Gentleman songsters off on a spree, doomed from here to eternity. God have mercy on such as we, baa....baa...baa.”
When I took my bath I sang “A tisket a tasket, a red and yellow basket, I wrote a letter to my love and on the way I lost it.” I couldn’t remember any of the other words, so I kept repeating the same line over and over. I scrubbed out the ring in the tub with my washcloth and bar soap. I hung up my towel. I put on my pajamas, carried my dirty clothes into my bedroom and threw them on the closet floor. Maggy was sewing, and Daddy was grading tests. I said goodnight and went to bed. I was delighted that Maggy would be going to work.
When Daddy came in the next night to read with me, he said, “It‘s cold out here. We need to get you a heater. Sit up and let me scoot in there. We can keep each other warm while we read. Did you ever hear of the Donner Party?”
“No. What kind of a party did they have?”
“They were explorers, pioneers, and they got caught in a snowstorm, crossing Donner’s Pass. That’s a high mountain pass. They ran out of food, and they were so cold. Almost as cold as I am right now.” He stuck his bare feet on the side of my calves. They were like ice.
“If I’m going to finish this story, you’re going to have to keep me warm. Come here.” He wrapped me in his arms, and pulled me close to his body. Snuggling me in close, my head nestled in his armpit. “They call it the Donner Party, because it was a group of people who all died in a horrible winter storm. Nobody was prepared for how much snow there was or how cold it got. When the horses died, they ate the horses. That kept them alive for awhile, but now and then someone died in the night, even though they all slept together, like this. Do you know the best way to stay warm?”
“To wear lots and lots of clothes and keep your hat on?”
“That’s best in the day time, but at night, even with clothes on, your body temperature drops. So the best thing to do is share body warmth with someone else. Let me show you what I mean.” I had my back to his stomach, and he scrunched back from me and pulled his sweatshirt up, and pulled his pants down. Then he moved his bare stomach and chest and legs close to me, and it was like backing close to the gas heater in the living room. Then he pulled my nighty up and it was skin to skin. My butt was cold until it snuggled into his lap, which was hotter than the rest of him. It was like the hottest part of the fire. “See what I mean? That’s how the Donner Party stayed alive as long as they did.”
“Did they all die?”
“I’ll finish that story next time, but you need to practice your reading, so read to me kiddo.”
I leaned forward, breaking contact, to reach my reader. Daddy pulled me back, and with his hand he opened my legs, slipping his penis between my legs, resting it snug against my peepee. It was warmer than anything. Then he said, “Now I’m comfortable and warm, how about you?” I nodded my head. “Well, are you going to read to me?”
I turned pages to the slow, rhythmic rocking of Daddy’s naked body behind me, between my legs. His breath was warm and wet on the top of my head. I turned another page and held my breath, listening. He whispered, “Does that feel good? Are you warm enough?” I nodded my head. He used the hand that had slipped his penis between my legs to reach across and touch himself. Then he put his fingers on my peepee and they were slippery. They slid into the lips of my peepee, and he opened them so his penis was rubbing against me closer and slippery. He whispered, “Give me your hand.” I took my hand and put it in his, and he moved them both to the hot slippery place between my legs. He put my palm over the wet round top of his penis, with his hand on top on mine, he pressed our hands around it, and our hands moved together, touching my slick peepee then pulling back to move through the crack of my bum, then forward again, so slow and warm and slippery. The inside of my thighs were slippery, too. He made a soft huffing sound and our hands filled with hot wet slimy stuff. He held my hand there, full of that stuff, while he whispered into the top of my head, “God, oh God, you are the sweetest...oh...ah, God...”Then he used the hem of my nighty to clean up our hands. It was the beginning of a new tradition.
Another tradition was shooting rats at the city dump. The only picture of me holding that gun and aiming it, is when I'm nine. The gun I'm holding in the picture is my mother's Luger pistol, a spoil of war my first father brought back from his adventures in World War II. I am a thin, long legged girl with shoulder length hair. The picture was taken at the city dump in Willamina, Oregon, in the summer. My Daddy and I are out of school and shooting rats at the dump. He leans against our ugly green station wagon, a cigarette dangles from his lips, and when he isn't aiming a camera at me, he's holding a bottle of beer and smoking a cigarette. I'm a good shot by then, but I don't remember when I held this gun for the first time. It has a fierce little kick that I have learned to control. I am standing there facing my Daddy, with the gun held in my right hand, arm extended, head turned to the right, shot by the camera in profile, squinting slightly as I aim. My left arm hangs so nonchalantly at my side. I have very good posture. I'm wearing shorts, a camp shirt, and espadrilles. It was so easy to swing that gun in a quarter arc and shoot my Daddy dead. I remember the thought drift through my brain like the wisp of a dream. And then as if it were just a dream, I do it. I don't even think about it. It just happens. That quarter swing of my arm, and I pull the trigger. My aim is wrong. The top of his head flies off and splatters the windshield of that ugly green station wagon. He doesn't make a sound. He is slumping down, sliding off the bonnet of the station wagon, missing the top of his head. Then there is the sound of the beer bottle hitting the dirt. It's a soft little sound, as the beer bubbles up and spills into the dirt. Now it's so peaceful at the dump.
I'm curious, and walk slowly toward the station wagon with the gun dangling from my right hand. The cigarettes are in the breast pocket of his short sleeved shirt. Blood and bits of other stuff are soaking the shoulders of his shirt and I want to get the cigarettes out of his pocket before they're ruined. I put the gun in his lap, and then I reach into his pocket and grab the pack of cigarettes and his zippo lighter. He's never let me use the lighter. He always lights my cigarette for me. It takes me two tries to get the flame to pop up. It's easy. I wonder why he made such a big deal about the zippo being dangerous. I sit in the dirt, and lean back against the tire in the shade. It's so quiet. I can hear birds chirping and a squirrel scolding off in the distance, the sound of insects.
Saturday, December 13, 2008
Death Never Takes A Holiday
This Thanksgiving two people close to me had a friend whose child or husband died. Not exactly close to me, but still, what effects my friends effects me, in part because I have so few friends. For one thing, it makes me think about death in general, and the rituals surround death in particular. It also makes me think about the expectations most of us have about these particular holidays. And that for most people having a death in the family on or near one of these holidays, will forever after make the holidays a time of sorrow.
For another it reminds me how happy I am to have planned for my own death. I have very little sentimentality about death. There are so many reasons for this lack, but part of the reason is knowing my family's history with a slow and horrible death, and the little kit I keep around for the purpose of taking my own life should it become an intolerably painful burden. Some will find this a horrible thing, ghoulish beyond belief, that anyone could think death would be preferable to any kind of life. But life for life's sake, regardless of the pain, or lack of a functioning body, or the slow destruction of the brain, these conditions seem like a pretty good reason for me to take the easy way out.
Then there is the death industry. Sadly, I haven't heard of any financial troubles for the death industry in these hard economic times. We can sink into a global depression but the death industry will flourish. And to my way of thinking this is an unforgivable gouging of the bereaved. But even in the best of times I have felt this way. Take embalming for instance. I've though for a long time that embalming should be outlawed. It's toxic, for one thing. We utter the words, "ashes to ashes, dust to dust... And yet we preserve the corpse with embalming fluid, put it in a lead lined casket and sink it into the ground. What an odd ritual.
At the mortuary much is made of "honoring the dead," and like a hospital, every minute detail of "honoring the dead" is charged for. Even if you have instructions from your loved one that cremation is the way he or she wants to go once dead, there are details to be discussed with the mortician. Since they can't sell you a casket the price of a Cadillac, they can push embalming for which they charge a hefty fee. If you don't go for that, the least you can do with the body is have it bathed to be prepared for the fire. What a concept. Wash it first, then toss it into the oven. Save the ashes in a costly Urn--another exorbitant expense, when a cardboard box would do just as well. Buy a cookie tin at Big Lots if cardboard isn't good enough for the ashes.
And then there is the deceased's wishes about "the scattering of the ashes." The impossibly romantic and sentimental desires of those who know they are dying and are sentient enough to talk about it and plan their final journey, sometimes enter into grandiose fantasies of ash scattering in all the places they wanted to see, but could never afford or find the time for. But now that the end is near, they can ask the living to make this trip for them as a way to "honor his/her life." Unless you leave me half a million dollars in your will, along with this type of odd after death desire, I will dump your ashes in the garden. I've heard that ashes are good for the soil, so long as the body was not embalmed.
My mother did two favors for me in her life. She died on Christmas morning, finally giving me the one Christmas present I'd wanted for at least twenty years. And many years prior to her death, she donated her body to the University of Utah Anatomy Department. At her death she was living in the Alzheimer's ward of a small nursing home. For the last six months of her life, the only words she spoke were "Fuck you!" or "Fuck off!" and the only meaningful gesture she made was flipping the bird or giving the middle fingered salute as the exclamation point that accompanied these words. She had been doing this to me for years, so I kind of took it personally. But I was reassured by the nursing staff that at the end she was indiscriminate in her bird flipping and profanity. She was always mean to me. Now she was mean to everyone. That made me feel a little better. She stopped eating the day before her birthday, December 23rd, and died early Christmas morning, around three AM, about the time Santa was whispering in my ear, "It's about time you got what you wanted for Christmas. Better late than never."
Since the University picked up the body, wrote the death certificate and put up a marker in their garden thanking her and her family, there was nothing for me to do but write her obituary. I didn't do this for her. I didn't do this for me. I did it for her friends. I listed her many accomplishments and the recognition she received, but left out the one accomplishment that was most meaningful to me--that of driving me crazy by the time I was three years old. I left myself completely out of her obituary. I included a photo of her that I took when she was in her early fifties. She was once a very beautiful woman, and I had captured that loveliness in the photo. But still, death isn't cheap, even with no burial, no cremation, no death certificate to pay for. The obituary (only one column) was over $300.
And in this one aspect of my mother's long life, I have followed her excellent example. I have donated my body to the University of Utah. Hopefully I will have the presence of mind to write my own obit, and leave a little money to publish it in the paper. Death is hard enough on the survivors, so I plan to make it as easy as possible on those I love. But by the time I die, I may have no loved ones. They don't call me that savage bitch for nothing. But at least I've stopped flipping them off.
For another it reminds me how happy I am to have planned for my own death. I have very little sentimentality about death. There are so many reasons for this lack, but part of the reason is knowing my family's history with a slow and horrible death, and the little kit I keep around for the purpose of taking my own life should it become an intolerably painful burden. Some will find this a horrible thing, ghoulish beyond belief, that anyone could think death would be preferable to any kind of life. But life for life's sake, regardless of the pain, or lack of a functioning body, or the slow destruction of the brain, these conditions seem like a pretty good reason for me to take the easy way out.
Then there is the death industry. Sadly, I haven't heard of any financial troubles for the death industry in these hard economic times. We can sink into a global depression but the death industry will flourish. And to my way of thinking this is an unforgivable gouging of the bereaved. But even in the best of times I have felt this way. Take embalming for instance. I've though for a long time that embalming should be outlawed. It's toxic, for one thing. We utter the words, "ashes to ashes, dust to dust... And yet we preserve the corpse with embalming fluid, put it in a lead lined casket and sink it into the ground. What an odd ritual.
At the mortuary much is made of "honoring the dead," and like a hospital, every minute detail of "honoring the dead" is charged for. Even if you have instructions from your loved one that cremation is the way he or she wants to go once dead, there are details to be discussed with the mortician. Since they can't sell you a casket the price of a Cadillac, they can push embalming for which they charge a hefty fee. If you don't go for that, the least you can do with the body is have it bathed to be prepared for the fire. What a concept. Wash it first, then toss it into the oven. Save the ashes in a costly Urn--another exorbitant expense, when a cardboard box would do just as well. Buy a cookie tin at Big Lots if cardboard isn't good enough for the ashes.
And then there is the deceased's wishes about "the scattering of the ashes." The impossibly romantic and sentimental desires of those who know they are dying and are sentient enough to talk about it and plan their final journey, sometimes enter into grandiose fantasies of ash scattering in all the places they wanted to see, but could never afford or find the time for. But now that the end is near, they can ask the living to make this trip for them as a way to "honor his/her life." Unless you leave me half a million dollars in your will, along with this type of odd after death desire, I will dump your ashes in the garden. I've heard that ashes are good for the soil, so long as the body was not embalmed.
My mother did two favors for me in her life. She died on Christmas morning, finally giving me the one Christmas present I'd wanted for at least twenty years. And many years prior to her death, she donated her body to the University of Utah Anatomy Department. At her death she was living in the Alzheimer's ward of a small nursing home. For the last six months of her life, the only words she spoke were "Fuck you!" or "Fuck off!" and the only meaningful gesture she made was flipping the bird or giving the middle fingered salute as the exclamation point that accompanied these words. She had been doing this to me for years, so I kind of took it personally. But I was reassured by the nursing staff that at the end she was indiscriminate in her bird flipping and profanity. She was always mean to me. Now she was mean to everyone. That made me feel a little better. She stopped eating the day before her birthday, December 23rd, and died early Christmas morning, around three AM, about the time Santa was whispering in my ear, "It's about time you got what you wanted for Christmas. Better late than never."
Since the University picked up the body, wrote the death certificate and put up a marker in their garden thanking her and her family, there was nothing for me to do but write her obituary. I didn't do this for her. I didn't do this for me. I did it for her friends. I listed her many accomplishments and the recognition she received, but left out the one accomplishment that was most meaningful to me--that of driving me crazy by the time I was three years old. I left myself completely out of her obituary. I included a photo of her that I took when she was in her early fifties. She was once a very beautiful woman, and I had captured that loveliness in the photo. But still, death isn't cheap, even with no burial, no cremation, no death certificate to pay for. The obituary (only one column) was over $300.
And in this one aspect of my mother's long life, I have followed her excellent example. I have donated my body to the University of Utah. Hopefully I will have the presence of mind to write my own obit, and leave a little money to publish it in the paper. Death is hard enough on the survivors, so I plan to make it as easy as possible on those I love. But by the time I die, I may have no loved ones. They don't call me that savage bitch for nothing. But at least I've stopped flipping them off.
Friday, December 12, 2008
Infection Spreads
Here are the rules: So says Splotchy
Here's what I would like to do. I want to create a story that branches out in a variety of different, unexpected ways. I don't know how realistic it is, but that's what I'm aiming for. Hopefully, at least one thread of the story can make a decent number of hops before it dies out.
If you are one of the carriers of this story virus (i.e. you have been tagged and choose to contribute to it), you will have one responsibility, in addition to contributing your own piece of the story: you will have to tag at least one person that continues your story thread. So, say you tag five people. If four people decide to not participate, it's okay, as long as the fifth one does. And if all five participate, well that's five interesting threads the story spins off into.
Not a requirement, but something your readers would appreciate: to help people trace your own particular thread of the narrative, it will be helpful if you include links to the chapters preceding yours.
The bus was more crowded than usual. It was bitterly cold outside, and I hadn't prepared for it. I noticed that a fair number of the riders were dressed curiously. As I glanced around, I stretched my feet and kicked up against a large, heavy cardboard box laying under the seat in front of me. (Splotchy)
I couldn't believe my eyes. Surreptitiously, I tried to establish, without giving it away, if anyone else had seen what I had. For ten years I had been looking for that box. What looked like an ordinary cardboard box to most contained something most precious. Only by the small golden "P" was I able to identify what I was looking at. (Freida Bee)
How the box got here, or how I happened to be on this bus with it now--these questions were immaterial. I just had to get that box. The bus slowed to a stop, so I steadied myself. Just as I was about to make a grab for the box, however, it moved. Someone else was picking it up to take it away! I had to stop her! (Dguzman)
What? This couldn't be happening--to get this close and watch some quick-footed little dwarf just up and snatch it away from me...no! I got up and just as I did the sweaty hillbilly in front of me stood up and stepped into the aisle. Moving like a bad mime imitating a man in a box he extended his arms and stretched, looking up at the ceiling as he did so. The dwarf with the box--I couldn't be sure if it was a man or a woman, but something about her seemed feminine--slipped out the front door and off the bus. I took a deep breath and slumped back down into my seat. (Bubs)
I sized up the chances of getting bodily fluids on me for a few seconds before I decided to risk it. I needed to get that box back.
"Sir, do you think I could get past you?" I ventured, standing stiffly, hoping to move near the front door to catch a quick exit at the next stop.
"Ah's gettin' off a' tha nex' stop," he said as he wiped his brow and placed his hand squarely on my shoulder.
"Well, fuck," I thought, getting more and more irritated each second his residual touch seemed to burn itself permanently into the fabric of my sweater. "I need to ask the bus driver about the next stop, really quickly. Do you mind?"
I could see he was challenged. His size alone made the bus an unfortunate place for him to endure, but I was concerned I would not be able to catch up with the thief who stole my box this time.
"Ah know these parts real good-like an' kin tells you anythin' you wants ta know."
"Sir, I really just need to be ready to step off the bus as soon as it stops," I said irritatedly now, as the bus jerked to a stop in its typically abrupt manner. I fell forward smack dab into his chest, catching a whiff of a strange smell that simultaneously made me gag and feel groggy only moments before I felt my head spinning as he caught my fall, grinning knowingly. (Freida)
When I come to, I can still smell the stench of the huge man, but find myself alone in a what appears to be, in the gloom of a lurid sunset, a shack on the edge of a swamp. I try to get up to open the fragile looking door, but my knees buckle and won't hold my weight. I sink back on a rough shelf and notice that the smell is stronger here. It is a mixture of sweat and something chemical, like maybe ether or chloroform. I use my arms to pull me away from the smell, and end up leaning against the wall with the door, but the latch is too high for me to reach it without the use of my legs and I am sweating and shaking.
I hear a rustling sound and I am afraid it is rats. The hair on my arms and the back of my neck waves like sea grass in a gentle breeze. The feeling is like a gentle touch, not bad at all. In fact I feel my sex organ stir and swell and moisture springs from my skin like dew. My nipples stand at attention and it isn't cold. This is not the sweat of fear, this is arousal. What is happening to me? (the savage one)
I tag:
Linda Sama
Dusty
Simstone
Anita
MrMacrum
AIG gives "Retention Payments" to Top Executives
We bought AIG to save the insurance giant from insolvency. One of the conditions on our several hundred billion dollar bailout was that the top executives forgo bonuses. That sounds pretty clear and reasonable. They had been taking an economic nose dive while continuing to give millions in bonuses and golden parachutes to executives responsible for making decisions that drove the Insurance giant into the ground. So, now that we own 80% of the company, they are giving "retention payments" to executives. So a bonus for failure is now a "retention payment". Sounds like we are getting fucked again. Since we are the majority stockholder of AIG, I say we fire their asses.
Process
In response to a question about creativity
When I read, all I do is read, as if it were a full time job. When I painted all I did was paint. It's the same with writing. I am not able to combine obsessions. Creativity takes me like a possession. It seems effortless at its best. Only the editing is work.
When I painted it took a lot of time to learn when to stop. I had to back off to mere suggestion of line. I deconstructed my painting to pen and ink and very few lines. I did my best portraits during this period. One was of my third husband and he looked like James Joyce. I captured him in maybe five or six lines. The suggestion of the man.
I've done many self portraits. Unable to afford models I painted what I saw. I did still life, interiors, architecture, but portraiture was my favorite. My best were sold. One was a gift to the third husband who burned the house down after I left him. And with the house, went those two portraits.
When I read, all I do is read, as if it were a full time job. When I painted all I did was paint. It's the same with writing. I am not able to combine obsessions. Creativity takes me like a possession. It seems effortless at its best. Only the editing is work.
When I painted it took a lot of time to learn when to stop. I had to back off to mere suggestion of line. I deconstructed my painting to pen and ink and very few lines. I did my best portraits during this period. One was of my third husband and he looked like James Joyce. I captured him in maybe five or six lines. The suggestion of the man.
I've done many self portraits. Unable to afford models I painted what I saw. I did still life, interiors, architecture, but portraiture was my favorite. My best were sold. One was a gift to the third husband who burned the house down after I left him. And with the house, went those two portraits.
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